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I'm not sure if they used Mahler's alterations or not but the texture of the inner parts with all the bells and whistles was crystal clear where I sat. The bassoons and horns in particular were notable especially the 4th horn solo stuff. Usually you remember the 4th movement but I was bowled over by the 3rd last night.
The choir was in full open throat position. The thrumming of the basses on the Joy part increased the buzz deep in our cerebral hemispheres, and probably deeper than that and more midline. Freude! Freude! Ecstasy! Ecstasy!
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